1992

And how did that make you feel?  30" x 90" (76.5cm x 229.5cm) triptych, oil on wood, sandblasted glass, bolts After Raphael, Cartoon for the Tapestry of the Charge to Peter, Gouache/paper, c.1515-16 TEXT: And how did that make you feel? Why do you think he upset you so? Talk to me. I care about you.
And how did that make you feel? 30″ x 90″ (76.5cm x 229.5cm) triptych, oil on wood, sandblasted glass, bolts
After Raphael, Cartoon for the Tapestry of the Charge to Peter, Gouache/paper, c.1515-16
TEXT: And how did that make you feel? Why do you think he upset you so? Talk to me. I care about you.
Answers, Questions, 30" x 60" (76.5cm x76.5cm), oil on wood, sandblasted glass, bolts After Raphael, Vision of Ezekiel, c. 1518 Rembrandt, The angel stopping Abraham from sacrificing Isaac to God, 1635
Answers, Questions, 30″ x 60″ (76.5cm x76.5cm), oil on wood, sandblasted glass, bolts
After Raphael, Vision of Ezekiel, c. 1518
Rembrandt, The angel stopping Abraham from sacrificing Isaac to God, 1635
Catalogue, 30" x 30" (76.5cm x 76.5cm) oil on wood, sandblasted glass, bolts Faces in this painting are all taken from works by Rembrandt van Rijn; in the center (with ÒIÓ next to it) is RembrandtÕs own from the self-portrait of 1660 in the Musee du Louvre.
Catalogue, 30″ x 30″ (76.5cm x 76.5cm) oil on wood, sandblasted glass, bolts
Faces in this painting are all taken from works by Rembrandt van Rijn; in the center (with ÒIÓ next to it) is RembrandtÕs own from the self-portrait of 1660 in the Musee du Louvre.
Circle of Rembrandt, 30" x 120" (76.5cm x 306cm) four panels, oil on wood, sandblasted glass, bolts   After (all authenticated works by Rembrandt) l-r: Self-portrait, 1669 Self-portrait, 1660 Self-portrait, 1652 Self-portrait, c. 1638 Self-portrait, c. 1628 (This work is generally accepted to be RembrandtÕs first self-portrait.)
Circle of Rembrandt, 30″ x 120″ (76.5cm x 306cm) four panels, oil on wood, sandblasted glass, bolts
After (all authenticated works by Rembrandt) l-r:
Self-portrait, 1669
Self-portrait, 1660
Self-portrait, 1652
Self-portrait, c. 1638
Self-portrait, c. 1628 (This work is generally accepted to be RembrandtÕs first self-portrait.)

 

Circle of Rembrandt, 1992, Detail
Circle of Rembrandt, Detail

 

Heavy Equipment, 30" x 60" (76.5cm x 76.5cm) diptych, oil on wood, sandblasted glass, bolts After Left: Rembrandt, Portrait of Marten Soolmans, 1634 Right: Rembrandt, Portrait of Oopjen Coppit, 1634 TEXT: Yale University and an MBA from   is keeping her name professionally     heavy equipment company in White Plains       which is owned by his father         is a senior systems analyst for           of Geneva, Greenwich, and Palm Beach             partner in the New York law firm of
Heavy Equipment, 30″ x 60″ (76.5cm x 76.5cm) diptych, oil on wood, sandblasted glass, bolts
After
Left: Rembrandt, Portrait of Marten Soolmans, 1634
Right: Rembrandt, Portrait of Oopjen Coppit, 1634
TEXT:
Yale University and an MBA from
is keeping her name professionally
heavy equipment company in White Plains
which is owned by his father
is a senior systems analyst for
of Geneva, Greenwich, and Palm Beach
partner in the New York law firm of
How could you believe me? 60" x 60" (153cm x 153cm) Four panels, oil on wood, sandblasted glass, bolts After follower of Rembrandt van Rijn,  Man with the Golden Helmet, c. 1650  TEXT: How could you be-lieve me when I   said I love you when you know I've been a li-ar all my life.____ I've had that re-pu-ta-tion  since I was a youth.____ You must have been insane to think I'd tell you the truth._______ How could you be-lieve me when I said   we'd mar-ry when you know I'd rath-er hang than have a wife.____    I know I said_______  I'd make you mine._____ But who would know that you would go for that old line. How could you be- Lyrics by Burton Lane from Alan Jay Lerner song  How Could You Believe Me When I Said I Love You When You Know I've Been A Liar All My Life  from the 1950 movie "Royal Wedding"
How could you believe me? 60″ x 60″ (153cm x 153cm) Four panels, oil on wood, sandblasted glass, bolts
After follower of Rembrandt van Rijn,
Man with the Golden Helmet, c. 1650
TEXT:
How could you be-lieve me when I said I love you when you know I’ve been a li-ar all my life.____ I’ve had that re-pu-ta-tion since I was a youth.____ You must have been insane to think I’d tell you the truth._______ How could you be-lieve me when I said we’d mar-ry when you know I’d rath-er hang than have a wife.____ I know I said_______ I’d make you mine._____ But who would know that you would go for that old line. How could you be-
Lyrics by Burton Lane from Alan Jay Lerner song
How Could You Believe Me When I Said I Love You When You Know I’ve Been A Liar All My Life from the 1950 movie “Royal Wedding”
A man with a problem, 30" x 120" (76.5cm x 304cm), four panels, oil on wood, sandblasted glass, bolts TEXT: A man with a problem was worried. For his image he need a boost. "I'll commission a fabulous portrait. Then I'd be what I'm not," he deduced. All hats in this painting are taken from portraits by Rembrandt van Rijn.
A man with a problem, 30″ x 120″ (76.5cm x 304cm), four panels, oil on wood, sandblasted glass, bolts
TEXT:
A man with a problem was worried.
For his image he need a boost.
“I’ll commission a fabulous portrait.
Then I’d be what I’m not,” he deduced.
All hats in this painting are taken from portraits by Rembrandt van Rijn.
Ordering for Lady at Restaurant, 30" x 60" (76.5cm x 76.5cm) Diptych, oil on wood, sandblasted glass, bolts After Raphael (1483-1520), St. George and the Dragon, 1504-6 TEXT:  ordering for lady at restaurant helping girl from taxi with doorman available attention to wife at parties speaking to strange woman when traveling  escorting girl in rain  problem of revolving door
Ordering for Lady at Restaurant, 30″ x 60″ (76.5cm x 76.5cm) Diptych, oil on wood, sandblasted glass, bolts
After Raphael (1483-1520), St. George and the Dragon, 1504-6
TEXT:
ordering for lady at restaurant
helping girl from taxi with doorman available
attention to wife at parties
speaking to strange woman when traveling
escorting girl in rain
problem of revolving door
Would you love him if he came on to you?  60" x 60' (153cm x 153cm) four panels, oil on wood, sandblasted glass, bolts After Rembrandt van Rijn Image in center: The Risen Christ, 1661 Clockwise, from upper left:  Christ, c. 1645-1655 Christ, c. 1645-1655 Christ, c. 1650 Christ, c. 1645-1655 Christ, c. 1661
Would you love him if he came on to you? 60″ x 60′ (153cm x 153cm) four panels, oil on wood, sandblasted glass, bolts
After Rembrandt van Rijn
Image in center: The Risen Christ, 1661
Clockwise, from upper left:
Christ, c. 1645-1655
Christ, c. 1645-1655
Christ, c. 1650
Christ, c. 1645-1655
Christ, c. 1661