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Jean
Robertson and Craig McDaniel, “Themes of Contemporary Art: Visual Art after
1980,” Heinz Stahlhut, “The Fascination
with the Mechanical,” Astrid Bextermoller, “Ken
Aptekar,” Jean-Jacques Joffret, “Dialogues
sur La Chasse Humaine de Monsieur K.A.,” Morgan Prigent, Introductory catalog essay in Ken Aptekar: La Chasse Humaine, Espace d'Art Contemporain Camille Lambert, Juvisy, France, 2005 [ PDF ] Eleanor Heartney, A Capital Collection, Masterworks from the Corcoran Gallery of Art, Surrey, UK, Third Millenium Publishing Limited with the Corcoran Gallery of Art, Washington, D.C., 2002 [ PDF ] Paige Turner, Catalog entry essay Nicholas Mirzoeff, “Eye Glasses,” in
Eye Contact, Barbara Pollack, “Lysis at Pamela Auchincloss Project Space,” (reproduction), Dominique Nahas, “Lysis at Pamela Auchincloss,” (reproduction), Dinah Ryan, “Review—Angels? Rembrandt? Recent Skeptical Works by Ken Aptekar at Contemporary Art Center of Virginia,” Art Papers, Sept/Oct, 2002, pp. 41-42 [ PDF ] Frank Green, “Ken Aptekar:
Painting Between the Lines, 1990-2000,” Kate Hackman, “Artist puts
meaning between the lines,” Susie Lulaki, “Ken Aptekar,
real people, old masters,” Charles Saumarez-Smith, “This
into that,” Carly Berwick, “Van Rijn on
the Hudson, ” Alisa Turner, “Sleek forms
package the unexpected,” Richard Dorment, “Museums
of moving images,” Stuart Jeffries, “Power to
the people,” Suzanne Chesler, “Painting
with words,” Rebecca Little, “Personal
events merge with Jewish traditions and art history,” Helen Harrison, “Surrealism,
Traditionalism, and Re-Visionism,” Carrie A.A. Frye, “Goodbye, Hello, Landscape Painting, Taking in the view from Beyond the Mountains,” Xpress, Ashville, NC April 8, 1998 Charlotte Safavi, “Deconstructing Rembrandt: Ken Aptekar takes another view of the master with Rembrandt Redux,” Folio Weekly, Jacksonville, FL, April 7, 1997, p. 36 [ PDF ] Scott Heller, “Other Voices,
Other Rooms,” Robert Siegel, Interview about “Ken Aptekar: Talking to Pictures” Glenn Dixon, “Ken Aptekar:
Talking to Pictures,” Jo Ann Lewis, “A Fresh Layer
of Meaning,” Albert Boime, “Aptekar's Family
Album,” Terrie Sultan, Introductory catalog
essay for “Ken Aptekar: Talking
to Pictures,” Devorah Kanaff, “Standing
Out, Blending In, Knowing Oneself,” “The National Art Scene,” Robin Cembalist, “Paintings
That Get Personal,” Mieke Bal, Traveling Concepts in the Humanities, A Rough Guide, Gabrielle Chwallek, “Nasen
und Nasenstuber,” Michael Kimmel, “Too Jewish?
What Do You Mean By That? Izzat a Stereotype?....” Aernout Hagen, “Ken Aptekar
kiest uit Rembrandts hoedencollectie,” Gerald Silk, “Reframes and
Refrains: Artists Rethink Art History,” Ken Aptekar, “Dear Rembrandt,” Graham Shearing, “Remarkable
Rembrandt: Three shows celebrate the artist,” Donald Miller, “Contemporary
shows join with Rembrandt etchings,” Nancy Grimes, “Ken Aptekar
at Jack Shainman,” Robert G. Edelman, “The Figure
Returns: 43rd Corcoran Biennial,” Howard Risatti, “43rd Corcoran
Biennial,” Charlene Roth, “Bad Girls,” Wendy Hawley-Ruppel, “Remaking
the Past in Our Own Image,” Christopher Knight, “Bad Girls:
Feminism on Wry,” Nicole Cavazos, “Feminist Rage, Bad Girls West takes Hollywood
by Groin at Wight Art Gallery,” Hunter Drohojowska-Philp, “And
When They Were Bad...,” Martha McWilliams, “Go Figure,” Kenneth Baker, “Contemporary
Painting Celebrated in D.C.,” Eric Gibson, “Who are the
new stars of painting?” Gary Sangster, “Ken Aptekar,” Hank Burchard, “Out of the
Fire, Into the Melting Pot,” Helen Shortal, “Bodily Fluids:
School 33 Deconstructs the Birds and the Bees,” Vivien Raynor, “‘Bedrooms'
and Drawings,” Elizabeth Hess, “Yesterday's
Children,” Gerrit Henry, “Ken Aptekar
at Bess Cutler,” James Saslow, “Rethinking
Masculinity: Ken Aptekar,” Robert Atkins, “New This Week:
Ken Aptekar,” David McCracken, “Exhibit
has its fun and its serious sides,” William Zimmer, “Kenneth Aptekar
at Sid Deutsch,” Grace Glueck, “Critics' Choices,” William Zimmer, “Ken Aptekar,” |