Nachbarn Review in Kunstforum International (German)
CLICK TO READ Kunstforum International Review of Nachbarn
NACHBARN in The Hindu–India’s English-language newspaper read by 2 million
Ranvir Shah, cultural philanthropist, publishes feature article in The Hindu: Read it online HERE Content below: LOVE THY NEIGHBOR, June 4, 2016, The Hindu by Ranvir Shah ‘Nachbarn’, Ken Aptekar’s show in Lübeck that ran from February to May, showed how world peace can boil down to simply being good neighbours I first met artist…
Now online: Catalogue Essays for Nachbarn Exhibition
Read the insightful, informative, and provocative essays–in German and English (CLICK AUTHORS’ NAMES): St. Annen Museum Director, Dr. Thorsten Rodiek, author of Das Monumento nazionale Vittorio Emanuele II. in Rom. (Europäische Hochschulschriften Reihe 28 Kunstgeschichte Band 30), P. Lang, Frankfurt/Main – New York – Paris 1983. Zugl.: Stuttgart, Univ., Diss., 1981; James Stirling, die neue…
Feature article on Nachbarn in OYA Magazine
Lara Mallien of OYA Magazine covers Nachbarn in this progressive German magazine. Read ONLINE HERE (and click “Nein, ich möchte kostenfrei weiterlesen” for free access)
Review of Nachbarn in KUNSTFORUM INTERNATIONAL
CLICK HERE TO SEE REVIEW IN KUNSTFORUM INTERNATIONAL (IN GERMAN) [Translated from the German, BELOW] KEN APTEKAR: NACHBARN/NEIGHBORS, Kunsthalle St. Annen, Lübeck, Germany 7 February-29 May 2016 Many years went by before the American artist Ken Aptekar could realize his project. Confronting the expulsion and murder of Jews in Nazi Germany is practically merely…
KUNSTHALLE ST. ANNEN / NACHBARN/NEIGHBORS
For a video walk-through of Nachbarn/Neighbors, CLICK HERE
WASSERMAN PROJECTS / DON’T STOP
WHEATON COLLEGE MUSEUM / LOOK AGAIN
MINT MUSEUM / PERMANENT COLLECTION
JAMES GRAHAM GALLERY / RECENT PORTRAITS
Recent Portraits, Graham Gallery, 2010 Instead of showing the person, my portraits describe how the sitter looks–at paintings. The excitement and challenge for me results from interacting with an individual across paintings from the past, discovering indirectly something essential about that person. The idea comes out of my conviction that a painting really only begins…