2011

OH GROW UP, Ken Aptekar, 2011, 35" x 35", oil on wood, sandblasted glass, bolts, after Asher Durand, The Old Oak, NY Historical Society
Ken Aptekar, OH GROW UP, 2011, 35″ x 35″, oil on wood, sandblasted glass, bolts, after Asher Durand, The Old Oak, NY Historical Society
Ken Aptekar, I learned about great meals when..., 2011 24" x 44" (image size 20" x 40"), digital print on archival bamboo paper, Edition of 42 with 3 AP/s, printed by Ken Allen Studio, NY after Jean-Baptiste Chardin, La Brioche, 1763, Louvre, Paris TEXT: I learned about great meals one Saturday night before Rosh Hashonah. The bakery opened after sundown and we picked up a round raisin challah still so warm the lady behind the counter didn't dare put it in the slicer. At home the butter melted on it just like that. We sat around the table until it was gone.
Ken Aptekar, I learned about great meals when…, 2011
24″ x 44″ (image size 20″ x 40″), digital print on archival bamboo paper, Edition of 42 with 3 AP/s, printed by Ken Allen Studio, NY
after Jean-Baptiste Chardin, La Brioche, 1763, Louvre, Paris
TEXT: I learned about great meals one Saturday night before Rosh Hashonah. The bakery opened after sundown and we picked up a round raisin challah still so warm the lady behind the counter didn’t dare put it in the slicer. At home the butter melted on it just like that. We sat around the table until it was gone.
Ken Aptekar, Seeking Collector, 2011 30" x 30" (76.5cm x 76.5cm) oil on wood, sandblasted glass, bolts After Milton Avery, Vase by the Sea, 1944 TEXT: Seeking collector who likes Milton AVery, prefers night to day, can live with having to read a painting, hangs modern and contemporary art together, occasionally turns a blind eye to world events, insists on the artist's signature.
Ken Aptekar, Seeking Collector, 2011
30″ x 30″ (76.5cm x 76.5cm)
oil on wood, sandblasted glass, bolts
After Milton Avery, Vase by the Sea, 1944
TEXT: Seeking collector who likes Milton Avery, prefers night to day, can live with having to read a painting, hangs modern and contemporary art together, occasionally turns a blind eye to world events, insists on the artist’s signature.