Works on Paper

Recent Silverpoint Drawings with Glass

MOUNTING EVIDENCE, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Gilles Demarteau, 1722-1776, after Tessier, Livre de Fleurs, dedier a Mr. de Buffon(MY)
FALLING FOR MAKE BELIEVE, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Jean-Antoine Watteau, Study of two women
NO FOR AN ANSWER, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Eugene Delacroix, Liberty leading the people, 1830, Musee du Louvre

(MY) MALEVICH SELF-PORTRAIT, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Kazimir Malevich, Self-portrait, 1908

FOREVER, IF POSSIBLE, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after A Woman, Antinoopolis, AD 140-160 Egyptian Fayum Portrait, Detroit Institute of Art
If you say so., 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Rembrandt van Rijn, Moses and the Ten Commandments
ACCORDING TO WHOM, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Jean-Antoine Watteau, Study of hands
US THEM, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Giovanni Battista Tiepolo, Study of man with eyes closed, 1750, Klüser Collection, Munich
WRONG PLACE WRONG TIME, 2017, silverpoint on prepared paper, sandblasted glass, frame, after Claude Pissarro, Place du Théâtre Français, Paris: Rain, 1898
No problem., 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Jean-Antoine Watteau, Study of two women
OH GROW UP, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Jan Van Goyen, Landscape with aged oak, 1634
WHO’S SORRY NOW, 2017, 21-5/8″ x 21-5/8″, silverpoint on prepared paper, sandblasted glass, frame, after Jasper Johns, White Flag, 1955, Metropolitan Museum of Art