2005

Ken Aptekar, I saw the figure 14 in gold, 2005 60" x 60" (153cm x 153cm), oil on wood, sandblasted TEXT: 14
Ken Aptekar, I saw the figure 14 in gold, (Portrait of the Dalai Lama) 2005
60″ x 60″ (153cm x 153cm),
oil on wood, sandblasted
TEXT: 14
Ken Aptekar, Maybe that, 37" x 37" (94cm x 94cm), oil on wood, sandblasted glass, bolts After Fernand Léger, Les Eléments Mécanique, 1918-1923 TEXT: In 1918 Fernand Léger dreamed of fantastic machines that could change the world. My dreams run to making a vertical painting into a square, changing a few colors. Maybe that will end ignorance, hatred, and injustice.
Ken Aptekar, Maybe that, 37″ x 37″ (94cm x 94cm), oil on wood, sandblasted glass, bolts
After Fernand Léger, Les Eléments Mécanique, 1918-1923
TEXT: In 1918 Fernand Léger dreamed of fantastic machines that could change the world. My dreams run to making a vertical painting into a square, changing a few colors. Maybe that will end ignorance, hatred, and injustice.

 

WORKS FROM KEN APTEKAR, LA CHASSE HUMAINE, Espace Camille Lambert, Juvisy, France

Ken Aptekar, A reason to wake up each morning, 2005 37" x37" (94cm x 94cm), oil on wood, sandblasted glass, bolts After Jean-Baptiste Oudry, Chasse au loup, 1734
Ken Aptekar, A reason to wake up each morning, 2005
37″ x37″ (94cm x 94cm),
oil on wood, sandblasted glass, bolts
After Jean-Baptiste Oudry, Chasse au loup, 1734
Ken Aptekar, Oh, you think you're so special, 2005 37" x 37" (94cm x 94cm), oil on wood, sandblasted glass, bolts After Jean-Baptiste Oudry, Faisan doré de Chine avec un Amandina et un autre oiseau des îles, 1753 Text: Oh, you think you're so special
Ken Aptekar, Oh, you think you’re so special, 2005
37″ x 37″ (94cm x 94cm),
oil on wood, sandblasted glass, bolts
After Jean-Baptiste Oudry, Faisan doré de Chine
avec un Amandina et un autre oiseau des îles, 1753
TEXT: Oh, you think you’re so special
Ken Aptekar, Can't buy me love? 2005 37" x 37" (94cm x 94cm), oil on wood, sandblasted glass, bolts After François Boucher, La cible d'amour, 1758
Ken Aptekar, Can’t buy me love? 2005
37″ x 37″ (94cm x 94cm),
oil on wood, sandblasted glass, bolts
After François Boucher, La cible d’amour, 1758
Ken Aptekar, Nothing happens without the kind assistance of others, 2005 37" x 37" (94cm x94cm), oil on wood, sandblasted glass, bolts After Jean-Baptiste Oudry, Meute de chiens courants qui vont au rendez-vous, au carrefour de l'Embassade, Forêt de Compiègne, 1743 Text: Nothing happens without the kind assistance of others.
Ken Aptekar, Nothing happens without the kind assistance of others, 2005
37″ x 37″ (94cm x94cm),
oil on wood, sandblasted glass, bolts
After Jean-Baptiste Oudry, Meute de chiens courants
qui vont au rendez-vous, au carrefour de l’Embassade,
Forêt de Compiègne, 1743
TEXT: Nothing happens without the kind assistance of others.
Ken Aptekar, Straight from the beginning, 2005 37" x 37" (94cm x 94cm), oil on wood, sandblasted glass, bolts After François Boucher, Portrait en pied de la marquise de Pompadour, 1750 TEXT: straight from the beginning
Ken Aptekar, Straight from the beginning, 2005
37″ x 37″ (94cm x 94cm),
oil on wood, sandblasted glass, bolts
After François Boucher, Portrait en pied
de la marquise de Pompadour, 1750
TEXT: straight from the beginning
Ken Aptekar, Having a great time out at the house. Wish you were here!, 2005 37" x 37" (94cm x 94cm), oil on wood, sandblasted glass, bolts After Anonymous, Plan de Bellevue, maison royale à deux lieues ouest de Paris, 1750 Text: Having a great time out at the house. Wish you were here!
Ken Aptekar, Having a great time out at the house. Wish you were here!, 2005
37″ x 37″ (94cm x 94cm),
oil on wood, sandblasted glass, bolts
After Anonymous, Plan de Bellevue, maison
royale à deux lieues ouest de Paris, 1750
TEXT: Having a great time out at the house. Wish you were here!