1992 And how did that make you feel? 30″ x 90″ (76.5cm x 229.5cm) triptych, oil on wood, sandblasted glass, boltsAfter Raphael, Cartoon for the Tapestry of the Charge to Peter, Gouache/paper, c.1515-16TEXT: And how did that make you feel? Why do you think he upset you so? Talk to me. I care about you. Answers, Questions, 30″ x 60″ (76.5cm x76.5cm), oil on wood, sandblasted glass, boltsAfter Raphael, Vision of Ezekiel, c. 1518Rembrandt, The angel stopping Abraham from sacrificing Isaac to God, 1635 Catalogue, 30″ x 30″ (76.5cm x 76.5cm) oil on wood, sandblasted glass, boltsFaces in this painting are all taken from works by Rembrandt van Rijn; in the center (with ÒIÓ next to it) is RembrandtÕs own from the self-portrait of 1660 in the Musee du Louvre. Circle of Rembrandt, 30″ x 120″ (76.5cm x 306cm) four panels, oil on wood, sandblasted glass, boltsAfter (all authenticated works by Rembrandt) l-r:Self-portrait, 1669Self-portrait, 1660Self-portrait, 1652Self-portrait, c. 1638Self-portrait, c. 1628 (This work is generally accepted to be RembrandtÕs first self-portrait.) Circle of Rembrandt, Detail Heavy Equipment, 30″ x 60″ (76.5cm x 76.5cm) diptych, oil on wood, sandblasted glass, boltsAfterLeft: Rembrandt, Portrait of Marten Soolmans, 1634Right: Rembrandt, Portrait of Oopjen Coppit, 1634TEXT:Yale University and an MBA fromis keeping her name professionallyheavy equipment company in White Plainswhich is owned by his fatheris a senior systems analyst forof Geneva, Greenwich, and Palm Beachpartner in the New York law firm of How could you believe me? 60″ x 60″ (153cm x 153cm) Four panels, oil on wood, sandblasted glass, boltsAfter follower of Rembrandt van Rijn,Man with the Golden Helmet, c. 1650TEXT:How could you be-lieve me when I said I love you when you know I’ve been a li-ar all my life.____ I’ve had that re-pu-ta-tion since I was a youth.____ You must have been insane to think I’d tell you the truth._______ How could you be-lieve me when I said we’d mar-ry when you know I’d rath-er hang than have a wife.____ I know I said_______ I’d make you mine._____ But who would know that you would go for that old line. How could you be-Lyrics by Burton Lane from Alan Jay Lerner songHow Could You Believe Me When I Said I Love You When You Know I’ve Been A Liar All My Life from the 1950 movie “Royal Wedding” A man with a problem, 30″ x 120″ (76.5cm x 304cm), four panels, oil on wood, sandblasted glass, boltsTEXT:A man with a problem was worried.For his image he need a boost.“I’ll commission a fabulous portrait.Then I’d be what I’m not,” he deduced.All hats in this painting are taken from portraits by Rembrandt van Rijn. Ordering for Lady at Restaurant, 30″ x 60″ (76.5cm x 76.5cm) Diptych, oil on wood, sandblasted glass, boltsAfter Raphael (1483-1520), St. George and the Dragon, 1504-6TEXT:ordering for lady at restauranthelping girl from taxi with doorman availableattention to wife at partiesspeaking to strange woman when travelingescorting girl in rainproblem of revolving door Would you love him if he came on to you? 60″ x 60′ (153cm x 153cm) four panels, oil on wood, sandblasted glass, boltsAfter Rembrandt van RijnImage in center: The Risen Christ, 1661Clockwise, from upper left:Christ, c. 1645-1655Christ, c. 1645-1655Christ, c. 1650Christ, c. 1645-1655Christ, c. 1661 February 1, 2016 Ken Aptekar