Uncategorized I hear an echo January 19, 2016January 9, 2024 Ken Aptekar 2636 views Ken Aptekar, I hear an echo, 2020 Nine panels, oil on wood, sandblasted glass, bolts, 96″ x 96″, [after Orazio Gentileschi’s Young Woman with a Violin (Saint Cecelia) (1612), Collection: Detroit Institute of Art] Collection of the Detroit Symphony Orchestra, Orchestra Hall, Detroit, MI TEXT ON GLASS: 1959. I sit spellbound next to my parents in a darkened Detroit concert hall. I hear an echo though I don’t know where it comes from. Eight o’clock October 23rd, 1919 Ossip Gabrilowitsch strides onstage to inaugurate Orchestra Hall. He waits for silence then sweeps his baton upward. His handpicked musicians raise their instruments. The Maestro from Russia slices the air. A horn sounds the ascending first three notes of Weber’s Overture to Oberon. The strings whisper, the flutes reply, and the music begins. Click to READ PRESS RELEASE AND SEE INSTALLATION VIEW in the Max & Marjorie Fisher Music Center, Detroit, Michigan
Ken Aptekar, I hear an echo, 2020 Nine panels, oil on wood, sandblasted glass, bolts, 96″ x 96″, [after Orazio Gentileschi’s Young Woman with a Violin (Saint Cecelia) (1612), Collection: Detroit Institute of Art] Collection of the Detroit Symphony Orchestra, Orchestra Hall, Detroit, MI TEXT ON GLASS: 1959. I sit spellbound next to my parents in a darkened Detroit concert hall. I hear an echo though I don’t know where it comes from. Eight o’clock October 23rd, 1919 Ossip Gabrilowitsch strides onstage to inaugurate Orchestra Hall. He waits for silence then sweeps his baton upward. His handpicked musicians raise their instruments. The Maestro from Russia slices the air. A horn sounds the ascending first three notes of Weber’s Overture to Oberon. The strings whisper, the flutes reply, and the music begins. Click to READ PRESS RELEASE AND SEE INSTALLATION VIEW in the Max & Marjorie Fisher Music Center, Detroit, Michigan